AR research from NVIDIA
Some innovative AR research at SIGGRAPH’s Emerging Technologies in LA: New types of AR Glasses.
Read the ArticleThe Heretic + Siggraph Exclusive
We talk to the Unity Team about The Heretic.
Read the ArticleCinema 4D R21 brings a (super) simple lineup with new pricing
At SIGGRAPH in LA, MAXON announced that Cinema 4D R21 will be launched this fall as a single application with subscription-based pricing.
Read the ArticleVirtual production guide: Kaya Jabar, Third Floor
The Third Floor’s Kaya Jabar talks virtual production as part of the new free field guide to VP.
Read the ArticleApollo 11: In real time
Modern Tech Adoration: The Apollo 11 Moon shot is being recreated digitally and live:
Read the ArticleVisual Disruptors Podcast #10: Matt Workman
CineTracer is an amazing tool for film exploration made by a Cinematographer in UE4
Read the ArticleEmmy nominations
Congrats to all the artists and all the nominees of this year’s Emmy shows.
Read the ArticleILM Sydney: interview with Rob Bredow
We talk to Rob Bredow in Sydney about ILM’s new studio.
Read the ArticleFaceware’s new pricing and deep learning
Faceware specializes in face tracking and solving and they now have new pricing.
Read the ArticleWes Ball on Mouse Guard: Avatar with Medieval Mice
We talk to Wes Ball about the virtual production on Mouse Guard
Read the ArticleMundos Digitales in Spain
Mundos Digitales is on again, we speak to the Festival Director about Spain’s main VFX and Animation event.
Read the ArticleWeekend Gold: Galactic Innovations: Star Wars and Rogue One
The Academy: Star Wars Galactic Innovations
Read the ArticleGood Omens: the devil is in the detail
The amazing work of Milk VFX in bringing Good Omens to the screen
Read the Articlefxguide turns 20
fxguide is 20 today! We look back, reflect and see what the industry was doing two decades ago.
Read the ArticleStation 19 VFX
We do a deep dive into how Mark Spatny VFX supervises Station 19, interprets a script and produce complex effects – in just 3 weeks.
Read the ArticleGodzilla: King of the Monsters
Godzilla King of Monsters: we talk to MPC and DNEG
Read the ArticleFin Design is a mother of a brilliant team
Exclusive Video: Fin Design, lead VFX house on Netflix hit film: I am Mother.
Read the ArticleDI4D recreate in their own Image
We have a look behind the scenes of DI4D’s latest demo of founder Colin Urquhart.
Read the ArticleRocketman at Cinesite
CineSite helped transform Taron Egerton’s world to Elton John’s RocketMan journey.
Read the ArticleEuro Style at The-Artery
How The-Artery brought together artists from around the world to create a mesmerizing visual homage to Eurovision.
Read the ArticleVisual Disruptors podcast 9: Kim Libreri, Epic Games’ CTO
We talk to Kim Libreri, Epic Games’ CTO, about the future of filmmaking and the work of the Unreal Engine team in virtual production.
Read the ArticleF Stop podcast from WWDC
The T-Stop Inn podcast with Ben Allan and Mike Seymour from WWDC
Read the ArticleBehind Apple’s Mac Pro: editing, grading and HDR
In this special report from WWDC, we look at the new Apple Pro from the perspective of our industry.
Read the ArticleThe simulation of Game of Thrones
Weta’s impressive array of simulations in Game of Thrones final season.
Read the ArticleNew Machine Learning Server for Deep Learning in Nuke
An Exclusive look at the new ML-Server frame work for Deep Learning in Nuke.
Read the ArticleFacing the Endgame: The Remarkable Faces of Avengers: Hulk
A Deep Dive into the new ILM face pipeline.
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