New rendering software, an army tool and incredible sims – find out Weta Digital’s newest techniques that made The Battle of the Five Armies possible.

Showcasing VFX from the TV shows Constantine, Atlantis and Crossbones.

Visual effects supervisor Matt Johnson discusses Into the Woods’ effects from beanstalks, to miniature forests, giants, transforming dresses and drone shoots.

Behind the scenes with vfx breakdowns from the latest Night at the Museum film.

Breakdowns from five shots and sequences in Ridley Scott’s biblical epic Exodus: Gods and Kings.

Framestore animation supervisor Pablo Grillo delves into the art of animation behind Paddington.

How Blur Studio’s hordes of assassins took over Paris in this incredible TV spot, and what extra scripting work was required for an online interactive version.

Salt, pelican cases and single-pass motion control – how New Deal Studios crafted the spacecraft miniature shots in Interstellar.

The problems facing the vfx industry are serious and complex, we present a new model for discussion based on the work of some very serious players.

Virtual sets, iPad apps and water sims – behind the scenes of Zoic’s Once Upon a Time vfx pipeline.

How Double Negative used cutting edge science for the VFX & visualizations in Interstellar.

You may not know Adaptively Distance Fields (ADF) by name, but you almost certainly use them. Mitsubishi’s (MERL) closely held tech – from fonts to games to drawing, we explain why The Foundry really wants it.

Find out how Encore Hollywood is using feature film techniques to bring The Flash to the small screen.

Go behind the scenes of the launch trailer for Call of Duty: Advanced Warfare.