How Ant-Man’s VFX team made a young Michael Douglas, brought macro photography to the fore and made us feel for six-legged insects.

We talk to the Minions animation director about crafting the ‘nearly silent film’ characters for the Despicable Me spin-off.

The DreamSpace Eu project is looking to partner industry and academics in advancing virtual production.

A hands on look at the world of pitching for work.

Behind the scenes of the digital Young Arnold, plus all the new Terminators & effects, in Terminator: Genisys.

The visual effects secrets behind the Ted sequel.

Destruction sims, tsunamis and 20 million pieces of floating debris – the VFX of San Andreas.

Inside Pixar’s emotions research, lighting and rendering for ‘Inside Out’.

How the brand new dinosaurs, and a few old favorites, were brought to life for Jurassic World.

Behind the graphic design of the opening titles for Marvel’s Daredevil. Includes a CG breakdown.

How The Third Floor injected some OMG scares into its previs for Poltergeist.

Xlab: ILM moves into a range of immersive spaces- we visit the lab & explain the tech

To celebrate 25 years since Total Recall, we talk to members of the Oscar-winning vfx team: Eric Brevig, Alex Funke and Tim McGovern.

In depth and exclusive coverage of Epic’s open world and ‘Boy and His Kite’ realtime projects.

How they made Gorilla Grodd in The Flash, digi-doubles in Agents of S.H.I.E.L.D. and ships and destruction in Black Sails.

Lightfields : the future of VR-AR-MR ?

From a jetpack fly-through to the six minute one-shot walk-through – how key scenes in Brad Bird’s Tomorrowland were created.

How practical fx and digital techniques aided in making Australian sci-fi indie flick, Infini. Plus an exclusive VFX breakdown.

With the free version of RenderMan now out, we decided to review the new release and talk to some of the fxphd Profs, who have used it now for months, for their impressions.

How MPC worked with amazing super slow-mo footage for this new Honda Civic spot.

How the effects studios on Age of Ultron were cast, and how they pulled off the film’s spectacular VFX.

How Alter Ego made bikes ride – without their riders. Includes comprehensive breakdowns.

Watch Lucas Martell’s The OceanMaker – and find out how it was made.

How Nvizible pulled off high-stakes VFX for indie sci-fi film Robot Overlords.

How miniatures from Weta Workshop and CG characters were combined for the all new Thunderbirds Are Go TV series.

We sit down with DNeg VFX supervisor Andrew Whitehurst in London to discuss Ex Machina.

Behind the scenes of Honda’s new CR-V infinite loop spot, that also tailors to your world location.

Find out how Universal Creative developed its centerpiece Harry Potter and the Escape from Gringotts attraction, with help from Double Negative.