We round out our Siggraph coverage with interviews talking to Cinesync, Shotgun, and Thinkbox.

Another in our popular series of vfx breakdowns done in NUKE, with Union VFX’s Mervyn New showing their work on 127 Hours. Also, a look at the new July11 term at fxphd.

A look at two car spots that both use Flame to provide immense levels of polishing and color grading.

Legendary filmmaker Douglas Trumbull discusses classic films, immersive film-making and the state of the industry.

We look at the stereo / 3D film Sanctum, talking to both DOP Jules O’Loughlin and VFX supervisor David Booth. This stereoscopic feature tells the thrilling tale of documentary filmmaker Andrew Wight’s near death experience whilst leading a diving expedition of 15 men in the remote underground cave systems of the Australian Nullarbor Plain.

Coverage from SIGGRAPH Asia 2010 with a look at some of the papers shown as well as a preview of work The Foundry is doing on Katana.

We speak to indie Director Gareth Edwards, director, DOP and sole vfx artist of the feature film “Monsters”.

This week we speak to MPC’s Nuke artist Alex Harding, who takes us through a breakdown of one of the promo films for the the US cable network Syfy.

Animal Logic’s work on the animated feature “Legend of the Guardians” and a look at the new term at fxphd.

IBC Episode #3. A tech preview of Nuke 6.2 and a look at the new features in Release 12 of Cinema 4D.

IBC Episode #2. A look at Storm, The Foundry’s new R3D editing and workflow software.

IBC Episode #1. A discussion of Autodesk’s new Flame Premium and a look at the features of the 2011 extension 1 release.

We visit Rising Sun Pictures to talk about their visual effects work and the development of cineSync remote review and approval software