The Foundry launches NUKE 10

The Foundry has officially launched NUKE 10 (still not shipping but hey … it has got to to be soon).

Read
quicktakes

Frame.io opens up with Premiere Pro integration

Frame.io now offers integration with Adobe Premiere Pro CC .

Read
quicktakes

Telling the story: the importance of invisible effects

How invisible fx made the small budget film Race possible.

Read
quicktakes

Marine One down – how Fusion found its way in London Has Fallen

How Blackmagic Design’s Fusion Studio helped bring the President’s chopper down in London Has Fallen.

Read
quicktakes

Faceware launches new PLE edition, new versions and bundles

New PLE version of Faceware Plus upgrades, hardware packages and more in the lead up to GDC.

Read
quicktakes

Behind the Scenes: Agent Carter’s Zero Matter

Double Negative provide another black hole and zero matter for Marvel’s Agent Carter (Exclusive video)

Read
quicktakes

A tribute to VFX supe Gary Hutzel

We remember VFX artist and supervisor Gary Hutzel, who died last week aged 60.

Read
quicktakes

A game awakens, in LEGO form

Recently a teaser trailer burst onto the scene for the LEGO Force Awakens Video Game – fxguide finds out who was behind it and how it was made.

Read
quicktakes

Sky Q liquid life from The Mill

In the first of four spots The Mill liquefy The Avengers ‘on screen’ – one of the most beautiful CG spots of the year.

Read
quicktakes

Ex Machina wins Oscar for Visual Effects

….and the winner is….Ex Machina!

Read
quicktakes

DD: behind the dcenes: Deadpool’s Colossus – DesignFX

Our Exclusive WIRED DesignFX on the making of Deadpool’s Colossus .

Read
quicktakes

Q&A: Deadpool director Tim Miller

Tim Miller recounts his journey from Blur to Deadpool in this special fxinsider interview.

Read
quicktakes

Force Awakens takes out VFX BAFTA

Awards season is in full swing, with the BAFTAs awarding The Force Awakens the top prize in VFX.

Read
quicktakes

Creating an alternate world: The Man in the High Castle

An exclusive look at Zoic Studio’s visual effects for The Man in the High Castle.

Read
quicktakes

Lumberyard: free is the new black

Lumberyard represents a significant shift in the way artists will be able to access game engines – and possibly for more than just game development.

Read
quicktakes

14th annual VES Awards – all the winners

The 14th annual VES Awards are just getting underway, starting with a hilarious opening from Patton Oswalt…we’ll update the winners as they come through.

Read
quicktakes

Making The Finest Hours

MPC reveals how the studio made the CG waves, water and storm effects in The Finest Hours.

Read
quicktakes

fxinsider: ILM’s deep compositing on The Force Awakens

For a special fxinsider subscribers, a bonus video interview with ILM comp supervisor Jay Cooper on the studio’s deep pipeline for The Force Awakens.

Read
quicktakes

fxinsider: Everest VFX supe Dadi Einarsson

Icelandic visual effects supervisor Dadi Einarsson, who recently supervised Everest, gives fxguide a run down of the VFX scene in his country.

Read
quicktakes

Visual Effects Oscars® Nominees

The nominated films for the 88th Oscars® are…

Read
quicktakes

14th Annual VES Award Nominees

Nominees have been announced for the 14th annual Visual Effects Society Awards…

Read
quicktakes

MARI, LAIKA and tools from ILM, R&H & Imageworks among Sci-Tech winners

Read the full list of Sci-Tech Award winners, which include on-set, photography, color science and VFX tools.

Read
quicktakes

BAFTA nominations announced

Nominees for the EE British Academy Film Awards…

Read
quicktakes

Ex Machina: new VFX breakdowns

Watch brand new VFX breakdowns showing how Double Negative created Ava for Ex Machina.

Read
quicktakes
>
Your Mastodon Instance