Doug Meet Zoey
Digital Domain Gives a Face to AI with ‘Zoey,’ at the FMX Conference in Germany
NVIDIA is collaborating with top academics to present 16 SIGGRAPH Papers
NVIDIA works with 14 academic researchers on 16 SIGGRAPH ’22 papers
Avatar: The Way of Water: Does it seem it was worth the wait?
A special (technical) view of the new Stereo Avatar: The Way of Water
fxpodcast #340 Advertising and Creative on Madison Avenue
We talk to the Artery’s Vico Sharabani about creativity and the evolving business of engaged creativity.
Pixomondo bashes environments with KitBash3D
Given the volume of models for episodic work, Pixomondo finds great value in Kit-bashing.
Union VFX for Operation Mincemeat
Union discusses creating the dramatic VFX for UK WWII thriller Operation Mincemeat
Heavenly virtual production
Pixomondo continues to expand its use of LED volumes in short-form projects such as commercials.
Everything Everywhere All At Once VFX Team All at Once
An in-depth talk with All the VFX team, All at Once (well 4 of the 5 artists)
The neural rendering of The Champion
The world’s first full neural rendered dialogue replacement full feature film.
Inside a location scanning truck
We visit on set with 3D scanning company Avatar Factory.
Do I want an Apple Studio?
We look at M1 Max Studio vs M1 MacBook Pro – for professional effects editing.
UE5 in a State of Unreal digital human characters
UE5 is released as part of Unreal’s State of Unreal.
Gilded age world building
VFX sups Douglas Purver and Becky Graham discuss The Gilded Age of VFX at DNEG
The integrated role of hi-tech props in The Adam Project
Property Master, Dean Eilertson talks about The Adam Project
The Third Floor Move into stylized animation
The Third Floor branches into game-based high-quality animation. We speak to TTF’s Josh Wassung.
Ultra fast NeRF at GTC (3D from 2D REALLY quickly)
NVIDIA demos a 1000X speed up in using NeRFs to make 3D scenes from 2D.
VFXShow 258: Dune Oscar Preview
The Oscars are next week and in this episode, we discuss our pick (guess) to win the Effects Oscar: Dune.
VP makes holographic screens beyond real
By using clever camera tracking – on set monitors and devices can see like actual holograms.
