Content-aware fill in AE and other new gems
Adobe’s Content Aware Fill , External GPU support and an interesting Twitch Trigger.
Read the ArticleFlame embraces deep learning
With a new computer vision, photogrammetry and machine learning engine Flame 2020 offers a set of new tools.
Read the ArticleUmbrella Academy : Dr Pogo at Weta Digital
Weta’s Pogo using new cloth simulation tools for the Umbrella Academy.
Read the ArticleThe Mill’s path to Mascots
Mill Mascot is a system that combines real-time animation and game engines with motion sensors to enables digital puppeteering
Read the ArticleOh Captain…my my Captain! The marvelous VFX of Captain Marvel
Part 2 of our coverage of the VFX of Captain Marvel.
Read the Article$100,000,000 (Seriously): EPIC at GDC
Epic Games Launches Epic MegaGrants, New UE4 Tech and Epic Online Services at GDC 2019
Read the ArticleLove, Death & Robots in V-RAY
Love, Death & Robots is Netflix anthology that offers adult storytelling in a short form medium, from the brilliant minds of Tim Miller and David Fincher.
Read the ArticleAutodesk joins with Rokoko for MoCap Marketplace
More news from GDC: Maya artist can now connect directly to the Rokoko MoCap Library
Read the ArticleArnold GPU
The new NVIDIA GPU version of Arnold goes into beta and it is fast, really fast.
Read the ArticleCaptain Marvel de-aging by LolaVFX
The de-aging of Samuel L. Jackson’s Nick Fury and Clark Gregg’s Phil Coulson in Captain Marvel.
Read the ArticleThe new DI4D HMC
A new high end HMC from DI4D, we speak to CEO Colin Urquhart.
Read the ArticleWeta Digital’s remarkable face pipeline: Alita Battle Angel
A deep dive into one of the world’s most complex face pipelines
Read the ArticleThe Orville’s battle of identity at FuseFX
The Orville’s Space Battle of Identity
Read the ArticleVisual Disruptors Podcast 6: ILM xLAB and NVIDIA
Visual Disruptors podcast with Mohen Leo from ILMxLAB and Rick Grandy at NVIDIA.
Read the ArticleSciTech Awards: Medusa capturing Disney’s characters
Disney Research Studio’s Medusa System
Read the ArticleSilicon Valley Girl
How Barnstorm VFX made the robot Fiona in HBO’s Silicon Valley
Read the ArticleRule Britannia – VES winning modelling
We look in depth at the techniques and new innovations that helped Weta win the Model VES award.
Read the ArticleVisual Disruptors Podcast 5: Vladimir Mastilovic of 3Lateral
In this episode of the Visual Disruptors we talk to 3Lateral’s Vladimir Mastilovic
Read the ArticleSciTech Awards: ccanning Hollywood with Paul Debevec
We talk to Paul Debevec and celebrate the team’s Award winning work with exclusive behind the scenes pics from the last decade
Read the ArticleSeriously, how good was the GoT Bud Light ad?
Our vote for best ad in Super Bowl 2019
Read the ArticleVisual Disruptors Podcast 4: Bob Zemeckis and Kevin Baillie
Our visual disruptors discussion with director Robert Zemeckis and VFX sup. Kevin Baillie.
Read the ArticleReplicas that i Clone
Keanu Reeves embraced real-time mocap and previz for Replicas, his new film.
Read the ArticleWrong things done right. Lighting Aquaman with Industrial Magic
ILM on the artistry of doing things that look right, but are not physically correct in Aquaman
Read the ArticleAdobe acquires Allegorithmic: Substance joins Creative Cloud
Adobe has just added Substance to the CC family.
Read the ArticleEpic Games buys 3Lateral
We talk to 3Lateral CEO, Vladimir Mastilovic about selling to Epic Games
Read the ArticleAnd the nominees for the Oscar 2019 are…
The Nominees for Best Visual Effects
Read the ArticleWhy Marwen’s face tech is so brilliant
Robert Zemeckis and Vfx Sup. Kevin Baillie talk about the remarkable advances in character work in Welcome to Marwen, + Making of video
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