A tribute to VFX supe Gary Hutzel
We remember VFX artist and supervisor Gary Hutzel, who died last week aged 60.
Read the ArticleVRscans from Chaos Group
Chaos finally offers a solution to “is it a blue and black or gold and white dress?” with their new VRScans.
Read the ArticleA game awakens, in LEGO form
Recently a teaser trailer burst onto the scene for the LEGO Force Awakens Video Game – fxguide finds out who was behind it and how it was made.
Read the ArticleSky Q liquid life from The Mill
In the first of four spots The Mill liquefy The Avengers ‘on screen’ – one of the most beautiful CG spots of the year.
Read the ArticleEffects solutions: the making of Kung Fu Panda 3
Behind the scenes of Kung Fu Panda 3 – an in-depth look for fxinsider members.
Read the ArticleEx Machina wins Oscar for Visual Effects
….and the winner is….Ex Machina!
Read the ArticleDD: behind the dcenes: Deadpool’s Colossus – DesignFX
Our Exclusive WIRED DesignFX on the making of Deadpool’s Colossus .
Read the ArticleMad Max: Fury Road special and visual effects roundtable
The Oscar-nominated Mad Max: Fury Road effects team recount some of the film’s biggest stunts and effect work.
Read the ArticleDeep inside Deadpool’s deadliest effects
How they pulled off Deadpool’s biggest scenes – from the freeway chase, to CG Colossus, animating Deadpool’s face and the frozen moment opening titles.
Read the ArticleQ&A: Deadpool director Tim Miller
Tim Miller recounts his journey from Blur to Deadpool in this special fxinsider interview.
Read the ArticleForce Awakens takes out VFX BAFTA
Awards season is in full swing, with the BAFTAs awarding The Force Awakens the top prize in VFX.
Read the ArticleCreating an alternate world: The Man in the High Castle
An exclusive look at Zoic Studio’s visual effects for The Man in the High Castle.
Read the ArticleHollywood redux: the VFX of Hail, Caesar!
An in-depth look at the 50s-style effects used to bring the Coen brother’s Hail, Caesar! to the screen.
Read the ArticleLumberyard: free is the new black
Lumberyard represents a significant shift in the way artists will be able to access game engines – and possibly for more than just game development.
Read the ArticleAnomalisa: hand-crafted visual effects
The stop-motion film Anomalisa is a masterpiece of hand-crafted animation, but you might be surprised how much visual effects work is involved to help tell the film’s tale.
Read the ArticleBehind the best of the Super Bowl ads
Vikings in coffee, dogs as hot dogs, Hulk vs. Ant-Man and puppymonkeybaby…it’s Super Bowl 50!
Read the Article14th annual VES Awards – all the winners
The 14th annual VES Awards are just getting underway, starting with a hilarious opening from Patton Oswalt…we’ll update the winners as they come through.
Read the ArticleMaking The Finest Hours
MPC reveals how the studio made the CG waves, water and storm effects in The Finest Hours.
Read the ArticleSo, just how was that Chemical Brothers video made?
Behind the scenes of the 6,798 frames of the latest Chemical Bros promo Wide Open (feat. Beck).
Read the ArticleInvisible fx: Crafting Creed, Point Break and Southpaw
See how BigHugFX, Image Engine and Zero VFX worked to produce stunning seamless VFX in Creed, Point Break and Southpaw.
Read the Articlefxinsider: ILM’s deep compositing on The Force Awakens
For a special fxinsider subscribers, a bonus video interview with ILM comp supervisor Jay Cooper on the studio’s deep pipeline for The Force Awakens.
Read the ArticleThe Force returns
ILM discusses three VFX breakthroughs in Star Wars, The Force Awakens: BB-8, the Falcon chase and the battle on Takodana.
Read the ArticleParanormal activity: creating Crimson Peak’s ghosts
When make-up and digital combine – before and after breakdowns from Mr. X’s ghostly visual effects for Guillermo del Toro’s Crimson Peak.
Read the Articlefxinsider: Everest VFX supe Dadi Einarsson
Icelandic visual effects supervisor Dadi Einarsson, who recently supervised Everest, gives fxguide a run down of the VFX scene in his country.
Read the ArticleVisual Effects Oscars® Nominees
The nominated films for the 88th Oscars® are…
Read the ArticleKatana 2.0
We catch up with The Foundry to discuss the latest iteration of lighting tool Katana.
Read the Article14th Annual VES Award Nominees
Nominees have been announced for the 14th annual Visual Effects Society Awards…
Read the ArticleMARI, LAIKA and tools from ILM, R&H & Imageworks among Sci-Tech winners
Read the full list of Sci-Tech Award winners, which include on-set, photography, color science and VFX tools.
Read the ArticleBAFTA nominations announced
Nominees for the EE British Academy Film Awards…
Read the ArticleEx Machina: new VFX breakdowns
Watch brand new VFX breakdowns showing how Double Negative created Ava for Ex Machina.
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