A tribute to VFX supe Gary Hutzel

March 7, 2016

We remember VFX artist and supervisor Gary Hutzel, who died last week aged 60.

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VRscans from Chaos Group

March 6, 2016

Chaos finally offers a solution to “is it a blue and black or gold and white dress?” with their new VRScans.

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A game awakens, in LEGO form

March 2, 2016

Recently a teaser trailer burst onto the scene for the LEGO Force Awakens Video Game – fxguide finds out who was behind it and how it was made.

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Sky Q liquid life from The Mill

March 1, 2016

In the first of four spots The Mill liquefy The Avengers ‘on screen’ – one of the most beautiful CG spots of the year.

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Effects solutions: the making of Kung Fu Panda 3

February 29, 2016

Behind the scenes of Kung Fu Panda 3 – an in-depth look for fxinsider members.

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Ex Machina wins Oscar for Visual Effects

February 28, 2016

….and the winner is….Ex Machina!

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DD: behind the dcenes: Deadpool’s Colossus – DesignFX

February 19, 2016

Our Exclusive WIRED DesignFX on the making of Deadpool’s Colossus .

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Mad Max: Fury Road special and visual effects roundtable

February 17, 2016

The Oscar-nominated Mad Max: Fury Road effects team recount some of the film’s biggest stunts and effect work.

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Deep inside Deadpool’s deadliest effects

February 15, 2016

How they pulled off Deadpool’s biggest scenes – from the freeway chase, to CG Colossus, animating Deadpool’s face and the frozen moment opening titles.

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Q&A: Deadpool director Tim Miller

February 15, 2016

Tim Miller recounts his journey from Blur to Deadpool in this special fxinsider interview.

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Force Awakens takes out VFX BAFTA

February 14, 2016

Awards season is in full swing, with the BAFTAs awarding The Force Awakens the top prize in VFX.

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Creating an alternate world: The Man in the High Castle

February 11, 2016

An exclusive look at Zoic Studio’s visual effects for The Man in the High Castle.

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Hollywood redux: the VFX of Hail, Caesar!

February 10, 2016

An in-depth look at the 50s-style effects used to bring the Coen brother’s Hail, Caesar! to the screen.

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Lumberyard: free is the new black

February 10, 2016

Lumberyard represents a significant shift in the way artists will be able to access game engines – and possibly for more than just game development.

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Anomalisa: hand-crafted visual effects

February 9, 2016

The stop-motion film Anomalisa is a masterpiece of hand-crafted animation, but you might be surprised how much visual effects work is involved to help tell the film’s tale.

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Behind the best of the Super Bowl ads

February 7, 2016

Vikings in coffee, dogs as hot dogs, Hulk vs. Ant-Man and puppymonkeybaby…it’s Super Bowl 50!

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14th annual VES Awards – all the winners

February 2, 2016

The 14th annual VES Awards are just getting underway, starting with a hilarious opening from Patton Oswalt…we’ll update the winners as they come through.

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Making The Finest Hours

February 2, 2016

MPC reveals how the studio made the CG waves, water and storm effects in The Finest Hours.

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So, just how was that Chemical Brothers video made?

January 31, 2016

Behind the scenes of the 6,798 frames of the latest Chemical Bros promo Wide Open (feat. Beck).

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Invisible fx: Crafting Creed, Point Break and Southpaw

January 25, 2016

See how BigHugFX, Image Engine and Zero VFX worked to produce stunning seamless VFX in Creed, Point Break and Southpaw.

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fxinsider: ILM’s deep compositing on The Force Awakens

January 24, 2016

For a special fxinsider subscribers, a bonus video interview with ILM comp supervisor Jay Cooper on the studio’s deep pipeline for The Force Awakens.

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The Force returns

January 21, 2016

ILM discusses three VFX breakthroughs in Star Wars, The Force Awakens: BB-8, the Falcon chase and the battle on Takodana.

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Paranormal activity: creating Crimson Peak’s ghosts

January 19, 2016

When make-up and digital combine – before and after breakdowns from Mr. X’s ghostly visual effects for Guillermo del Toro’s Crimson Peak.

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fxinsider: Everest VFX supe Dadi Einarsson

January 18, 2016

Icelandic visual effects supervisor Dadi Einarsson, who recently supervised Everest, gives fxguide a run down of the VFX scene in his country.

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Visual Effects Oscars® Nominees

January 14, 2016

The nominated films for the 88th Oscars® are…

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Katana 2.0

January 12, 2016

We catch up with The Foundry to discuss the latest iteration of lighting tool Katana.

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14th Annual VES Award Nominees

January 12, 2016

Nominees have been announced for the 14th annual Visual Effects Society Awards…

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MARI, LAIKA and tools from ILM, R&H & Imageworks among Sci-Tech winners

January 8, 2016

Read the full list of Sci-Tech Award winners, which include on-set, photography, color science and VFX tools.

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BAFTA nominations announced

January 8, 2016

Nominees for the EE British Academy Film Awards…

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Ex Machina: new VFX breakdowns

January 6, 2016

Watch brand new VFX breakdowns showing how Double Negative created Ava for Ex Machina.

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