Epic Games have published their new Virtual Production Field Guide: incl. DD’s Darren Hendler.

A detailed look at Vision facing Wanda’s Westview with VFX Supervisor Tara DeMarco & Rodeo FX’s Julien Héry

Digital Humans: Pulse Panel including bonus material.

Exclusive BTS videos and look at the character animation in Netflix’s Over the Moon

A deep dive on disguise’s cluster rendering and advances for virtual production

Ayo Burgess at Mr X, discusses the art of creature live-action digital integration.

A detailed look at the Sci-Tech winning world of head-mounted cameras and facial MoCap.

Virtual Production Innovations from the LED Stages of The Mandalorian.

ZOZO Jpan pushes extensive Digital Human research for new online retail customer experiences.

A technical look at how Stagecraft was used for the Virtual Production in George Clooney’s The Midnight Sky.

Framestore’s legendary character animation team delivered Don Juan Diego and Buddy 3000 for the Holidays

The ACS Video on Virtual Production for DOPs

Creative Solutions in 2067 with onset VFX Sup. Mark van den Bergen

Monsters of Man the self-funded 4K Action drama from Director Mark Toia.

Epic release 4.26, a major release with Hair and Fur is now fully released with a full downloadable Meerkat scene

We take the iPhone 12 for a serious road-test and talk to Dolby about the iPhone 12’s end to end Dolby Vision.

Jason Zimmerman discussed the vast and remarkable effects in Star Trek: Discovery

We explore the complexity of the new AI facial pipeline at Digital Domain.

A new music video “High in Heaven,” by VWLS utilizes 200 drones, 3D from Cinema 4D & the AR toolkit to create a unique musical experience.

SAUCE is a 3-year EU Research project into Virtual Production and asset reuse pipelines.

We talk to Mr X about HBO Max’s science fiction series Raised By Wolves

Weta Digital’s Anders Langlands breaks down their work on Disney’s Mulan

We test-drive the new Rokoko MoCap SmartGloves

disguise offers an end to end LED volume/stage solution with xR

How MPC used their Virtual Production tools to bring The One and Only Ivan to life.

Octane X looks set to offer great Ray Tracing on the new Macs.

We talk to Pixomondo’s VFX Supervisor, Nhat Phong Tran about Westworld and Euphoria

The winning submission from Real-Time Live: Monoport

We preview this week’s webcast series with Tangent’s experience in virtualized their animation pipeline

A look at the unusual Radioactive film with Union VFX in London.