Fin Design is a mother of a brilliant team
Exclusive Video: Fin Design, lead VFX house on Netflix hit film: I am Mother.
Read the ArticleRocketman at Cinesite
CineSite helped transform Taron Egerton’s world to Elton John’s RocketMan journey.
Read the ArticleBehind Apple’s Mac Pro: editing, grading and HDR
In this special report from WWDC, we look at the new Apple Pro from the perspective of our industry.
Read the ArticleThe simulation of Game of Thrones
Weta’s impressive array of simulations in Game of Thrones final season.
Read the ArticleNew Machine Learning Server for Deep Learning in Nuke
An Exclusive look at the new ML-Server frame work for Deep Learning in Nuke.
Read the ArticleFacing the Endgame: The Remarkable Faces of Avengers: Hulk
A Deep Dive into the new ILM face pipeline.
Read the ArticleInk Lines and Machine Learning
How machine learning was used to emulate hand drawn animation lines.
Read the ArticleENDGAME: The Remarkable Faces of Avengers: THANOS (Part 1)
Weta Digital and DD talk about their advanced faces pipelines for Thanos in Avengers: Endgame.
Read the ArticleCubic Motion’s complete Persona facial solution
We road test the Cubic Motion Performa complete face capture solution.
Read the ArticleRenderMan 22.5 ships: Toys Go Wild!
RenderMan 22.5 is released and it looks exceptionally good with examples from Toy Story 4
Read the ArticleThe Remarkable Lucky 13
Jerome Chen’s brilliant Lucky 13 (Love, Death + Robots). We talk to the team (Exclusive BTS video + interview)
Read the ArticleBebyFace in Bebylon
After Kite & Lightning won Real-Time Live last year, co-founder Cory Strassburger is now directing a Bebyface film.
Read the ArticleGaming out Game of Thrones
Without scans, the Realtime UK team have produce brilliant Digital versions of Cersei, Daenerys, Tyrion and more.
Read the ArticleCanny AI: Imagine world leaders singing
We talk to the new Israeli team behind the ‘Imagine’ World Leaders ‘fake’ video
Read the ArticleDumbo: yeah and elephants might fly…
A look At MPC wonderful character animation of Dumbo.
Read the ArticleUmbrella Academy : Dr Pogo at Weta Digital
Weta’s Pogo using new cloth simulation tools for the Umbrella Academy.
Read the ArticleOh Captain…my my Captain! The marvelous VFX of Captain Marvel
Part 2 of our coverage of the VFX of Captain Marvel.
Read the Article$100,000,000 (Seriously): EPIC at GDC
Epic Games Launches Epic MegaGrants, New UE4 Tech and Epic Online Services at GDC 2019
Read the ArticleCaptain Marvel de-aging by LolaVFX
The de-aging of Samuel L. Jackson’s Nick Fury and Clark Gregg’s Phil Coulson in Captain Marvel.
Read the ArticleWeta Digital’s remarkable face pipeline: Alita Battle Angel
A deep dive into one of the world’s most complex face pipelines
Read the ArticleThe Orville’s battle of identity at FuseFX
The Orville’s Space Battle of Identity
Read the ArticleSciTech Awards: Medusa capturing Disney’s characters
Disney Research Studio’s Medusa System
Read the ArticleSciTech Awards: ccanning Hollywood with Paul Debevec
We talk to Paul Debevec and celebrate the team’s Award winning work with exclusive behind the scenes pics from the last decade
Read the ArticleWrong things done right. Lighting Aquaman with Industrial Magic
ILM on the artistry of doing things that look right, but are not physically correct in Aquaman
Read the ArticleWhy Marwen’s face tech is so brilliant
Robert Zemeckis and Vfx Sup. Kevin Baillie talk about the remarkable advances in character work in Welcome to Marwen, + Making of video
Read the ArticleWhat happens when technology has a human face? Mike Seymour TEDx
fxguide’s Mike Seymour’s TEDx talk.
Read the ArticleMary Poppins returns (just in time for the Bakeoff)
We explore Mary Poppin’s new world with VFX supervisor Matt Johnston
Read the ArticleCloth simulation, opening the Kimono
A peek at the state of the art in Cloth Sims and how to get up to speed.
Read the ArticleVanishing Point’s Vector for virtual production
Vector is a new portable quick and battle tested virtual production tool using UE4. (Exclusive video)
Read the ArticleWhy Spider-Verse has the most inventive visuals you’ll see this year!
The groundbreaking visual styles and approaches of Spider-Man: Into the Spider-Verse.
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