Wes Ball on Mouse Guard: Avatar with Medieval Mice
We talk to Wes Ball about the virtual production on Mouse Guard
Good Omens: the devil is in the detail
The amazing work of Milk VFX in bringing Good Omens to the screen
fxguide turns 20
fxguide is 20 today! We look back, reflect and see what the industry was doing two decades ago.
Station 19 VFX
We do a deep dive into how Mark Spatny VFX supervises Station 19, interprets a script and produce complex effects – in just 3 weeks.
Fin Design is a mother of a brilliant team
Exclusive Video: Fin Design, lead VFX house on Netflix hit film: I am Mother.
Rocketman at Cinesite
CineSite helped transform Taron Egerton’s world to Elton John’s RocketMan journey.
Behind Apple’s Mac Pro: editing, grading and HDR
In this special report from WWDC, we look at the new Apple Pro from the perspective of our industry.
The simulation of Game of Thrones
Weta’s impressive array of simulations in Game of Thrones final season.
New Machine Learning Server for Deep Learning in Nuke
An Exclusive look at the new ML-Server frame work for Deep Learning in Nuke.
Facing the Endgame: The Remarkable Faces of Avengers: Hulk
A Deep Dive into the new ILM face pipeline.
Ink Lines and Machine Learning
How machine learning was used to emulate hand drawn animation lines.
ENDGAME: The Remarkable Faces of Avengers: THANOS (Part 1)
Weta Digital and DD talk about their advanced faces pipelines for Thanos in Avengers: Endgame.
Cubic Motion’s complete Persona facial solution
We road test the Cubic Motion Performa complete face capture solution.
RenderMan 22.5 ships: Toys Go Wild!
RenderMan 22.5 is released and it looks exceptionally good with examples from Toy Story 4
The Remarkable Lucky 13
Jerome Chen’s brilliant Lucky 13 (Love, Death + Robots). We talk to the team (Exclusive BTS video + interview)
BebyFace in Bebylon
After Kite & Lightning won Real-Time Live last year, co-founder Cory Strassburger is now directing a Bebyface film.
Gaming out Game of Thrones
Without scans, the Realtime UK team have produce brilliant Digital versions of Cersei, Daenerys, Tyrion and more.
Canny AI: Imagine world leaders singing
We talk to the new Israeli team behind the ‘Imagine’ World Leaders ‘fake’ video
Dumbo: yeah and elephants might fly…
A look At MPC wonderful character animation of Dumbo.
Umbrella Academy : Dr Pogo at Weta Digital
Weta’s Pogo using new cloth simulation tools for the Umbrella Academy.
Oh Captain…my my Captain! The marvelous VFX of Captain Marvel
Part 2 of our coverage of the VFX of Captain Marvel.
$100,000,000 (Seriously): EPIC at GDC
Epic Games Launches Epic MegaGrants, New UE4 Tech and Epic Online Services at GDC 2019
Captain Marvel de-aging by LolaVFX
The de-aging of Samuel L. Jackson’s Nick Fury and Clark Gregg’s Phil Coulson in Captain Marvel.
Weta Digital’s remarkable face pipeline: Alita Battle Angel
A deep dive into one of the world’s most complex face pipelines
SciTech Awards: Medusa capturing Disney’s characters
Disney Research Studio’s Medusa System
SciTech Awards: ccanning Hollywood with Paul Debevec
We talk to Paul Debevec and celebrate the team’s Award winning work with exclusive behind the scenes pics from the last decade
Wrong things done right. Lighting Aquaman with Industrial Magic
ILM on the artistry of doing things that look right, but are not physically correct in Aquaman
Why Marwen’s face tech is so brilliant
Robert Zemeckis and Vfx Sup. Kevin Baillie talk about the remarkable advances in character work in Welcome to Marwen, + Making of video