Kill Command is Aliens meets Terminator in a Die Hard 80s action style film – but on indie budget.

Day 2 at FMX In Germany, where 4 sessions really stood out.

Amidst a light falling snow, Europe’s premier VFX and Animation festival, FMX started today.

Milk wins third BAFTA in a row

All the VFX action from The Huntsman: Winter’s War.

Goodbye to Ian Failes as he moves on to new things!

Atuodesk and Google Cloud join forces to offer new streamlined Maya Cloud rendering.

GoPro has dived even further into VR with a new spherical array camera, VR software and eco-system.

The Foundry has officially launched NUKE 10 (still not shipping but hey … it has got to to be soon).

Frame.io now offers integration with Adobe Premiere Pro CC .

How invisible fx made the small budget film Race possible.

How Blackmagic Design’s Fusion Studio helped bring the President’s chopper down in London Has Fallen.

New PLE version of Faceware Plus upgrades, hardware packages and more in the lead up to GDC.

Double Negative provide another black hole and zero matter for Marvel’s Agent Carter (Exclusive video)

We remember VFX artist and supervisor Gary Hutzel, who died last week aged 60.

Recently a teaser trailer burst onto the scene for the LEGO Force Awakens Video Game – fxguide finds out who was behind it and how it was made.

In the first of four spots The Mill liquefy The Avengers ‘on screen’ – one of the most beautiful CG spots of the year.

….and the winner is….Ex Machina!

Our Exclusive WIRED DesignFX on the making of Deadpool’s Colossus .

Awards season is in full swing, with the BAFTAs awarding The Force Awakens the top prize in VFX.

An exclusive look at Zoic Studio’s visual effects for The Man in the High Castle.

Lumberyard represents a significant shift in the way artists will be able to access game engines – and possibly for more than just game development.

The 14th annual VES Awards are just getting underway, starting with a hilarious opening from Patton Oswalt…we’ll update the winners as they come through.

MPC reveals how the studio made the CG waves, water and storm effects in The Finest Hours.

Nominees have been announced for the 14th annual Visual Effects Society Awards…