How MPC took on Goosebumps’ VFX challenges, gnome matter what was thrown at them.

Cinesite reveals how ftrack helped plan and track the studio’s visual effects for The Last Witch Hunter.

EXCLUSIVE interview with new The Foundry CEO Alex Mahon and former CEO Bill Collis who will now be the company’s President.

Opinion piece: We discuss what makes the Lytro Immerge so cool technically and so important as a new camera.

fxguide’s Mike Seymour has his eyes and head scanned at Disney Research Zurich.

The Book of Life, Hotel Transylvania 2 and Shaun the Sheep – all presented on day 3 at VIEW.

We report on ILM Model Shop Supervisor Lorne Peterson’s talk at VIEW, and the keynote from The Little Prince director Mark Osborne.

Encore visual effects supervisor Armen Kevorkian discusses his latest work for Supergirl.

A behind the scenes look at crafting an animated feature colorscript with Michael Kurinsky at Sony – our first report from VIEW in Italy.

Side Effects releases Houdini 15 with new crowd, ragdoll, shader building and rendering features.

They may go by in just seconds, but here’s how one artist helped contribute to many of the titles you see in the biggest trailers from Marvel and other studios.

In this preview of SIGGRAPH Asia 2015 – which is right around the corner in Kobe, Japan – we talk to Columbia Uni Prof. Steven Feiner about his research into augmented and virtual reality.

Behind the scenes of the shoot with Digital Domain and their newest Destiny: The Taken King trailer.

Three highlights from the upcoming VFX, CG and animation VIEW Conference in Italy.

Limitless comes to TV, and with a host of unique visual effects work.

Some new research into racial bias is taking advantage of VFX techniques to digitally alter skin.

VR start-up Jaunt gets an injection of new funds to help continue its camera array and studio operations.

Psychedelic VR experiences, new thoughts on perception for VFX and stunning title sequences – our final report from Trojan Horse was a Unicorn in Portugal.

How the effects teams from Stan Winston and Digital Domain made it through – just – the crazy production of The Island of Dr. Moreau.

Trojan Horse was a Unicorn – a CG conference with a difference.

The IBC Conference has just wrapped in Amsterdam – here’s our impression of the event, plus we highlight the way VFX could be made easier if the transcoding was just paid attention to!

Technicolor acquires The Mill, while producer Sam Mercer joins ILM as head of the VFX studio.

Congratulations to the VFX teams from Game of Thrones and American Horror Story.

Automatic Duck founders Wes and Harry Plate are effectively re-launching Automatic Duck after a four year hiatus, and have begun developing and selling new timeline translation products for Final Cut Pro X and Adobe® After Effects® CC.

Watch RealtimeUK’s making of for the famous Rare games studio launch of ‘Rare Replay’.

The Academy has announced the technologies being considered for Sci-Tech Awards for 2015.

How Shade crafted the Emmy nominated visual effects for Netflix’s Daredevil.