Cannes Lions scooped by Dumb Ways to Die

June 23, 2013

fxguide talks to the animator behind the Cannes Lions super-winner Dumb Ways to Die, and checks out the VFX winners from the awards.

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DigiPro 2013 preview

June 21, 2013

A special preview of the DigiPro 2013 event taking place right before SIGGRAPH this year, featuring talks from Pixar, Weta Digital, Image Engine, Dneg and Dreamworks.

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Spots round-up

June 13, 2013

A look at some recent commercials that have caught our eye and the work behind them. Plus a special focus on The Mill LA.

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The new Mac Pro: the cube comes of age

June 11, 2013

We take a look at the new Mac Pro and uncover some details as to why we feel it shouldn’t be dismissed as a “pro” computer.

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VFX in Los Angeles – 100 hour weeks & homeless

June 10, 2013

A true story about a young man starting a career in visual effects in Los Angeles.

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The Foundry’s MARI coming to OS X

June 10, 2013

If you missed the Apple WWDC keynote, Phil Schiller mentioned that The Foundry and PIXAR would be showing off something at a sneak peek at the new Mac Pro. We know know what it is: MARI on OSX.

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Renderman, Happy Birthday!

June 3, 2013

Pixar Animation Studios today announced a celebration of 25 years of Pixar’s RenderMan

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RealFlow 2013 released

May 27, 2013

Find out more about RealFlow 2013, Next Limit’s newly released fluid simulation software.

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Australian Cinematographers Society 2013 award winners

May 26, 2013

The rc podcast’s Jason Wingrove, and a project made with the help of fxphd, were among the winners of the ACS 2013 National Awards.

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VFX Hot Spot Round-up: Destiny, PETA and Dodge

May 23, 2013

We look at three new spots with VFX from Digital Domain, The Mill and Method Studios.

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John Knoll appointed CCO of ILM

May 23, 2013

In a move that will be supported by employees, artists and fans, John Knoll has been promoted to the role of Chief Creative Officer at ILM, Lucasfilm Ltd. announced today.

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Preview the SIGGRAPH 2013 technical papers

May 22, 2013

Watch the Technical Papers preview video for SIGGRAPH 2013.

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More than 5m views, with no spaceships in sight

May 16, 2013

The buzz surrounding Star Trek: Into Darkness is clearly apparent with the huge response to this Audi Spock vs Spock viral.

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fxinsider special – color for CG artists

May 15, 2013

In this special video for fxguide fxinsider members, we talk to senior lighting artist Tarek Elaydi, who discusses issues of color science, management and use in CG lighting and visual effects.

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The tech behind the AdobeMAX sneak peeks

May 9, 2013

AdobeMAX is wrapped, but one of the killer sessions was Sneak Peeks where users get a glimpse of the future. We recap the presentations and speculate as to some image processing tech behind them.

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Raymond Frederick Harryhausen R.I.P 1920-2013

May 7, 2013

Raymond Frederick Harryhausen Born: Los Angeles 29th June 1920 Died: London 7th May 2013. From the Harryhausen Family posted via Facebook: The Harryhausen family regret to announce the death of Ray Harryhausen, Visual Effects pioneer and stop-motion model animator. He was a multi-award winner which includes a special Oscar and BAFTA. Ray’s influence on today’s […]

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Stop frame animation made with atoms. Yes, at the atomic level!

May 1, 2013

Atomic short film – literally a film made at atomic – per atom level by IBM – truly remarkable and a key to future atomic memory devices.

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Canon 5D Mk III firmware update released

April 29, 2013

Now out of Beta the 5D Mk III update is ready to be downloaded…

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Aaton out of the Game? updated

April 27, 2013

Reports that Aaton has shut down subject to finding additional funding. Updated 4/291600GMT with statement from Jean-Pierre Beauviala, Founder and CEO of Aaton

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FMX 2013 – final wrap-up

April 27, 2013

Some final thoughts on FMX 2013 and a look at the Iron Man 3 presentations by Trixter and Weta Digital, and on virtual production.

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Day 2 at FMX 2013 – Lara Croft’s hair, Arnold, MPC’s FX tools, OpenSubdiv

April 25, 2013

Day 2 at the FMX 2013 conference in Stuttgart, Germany had more great VFX and gaming talks, plus a look at digital camera work and Pixar’s OpenSubdiv.

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Day 1 at FMX 2013 – Pixar, Cloud Atlas, Life of Pi, Katana, V-Ray

April 24, 2013

We wrap-up day one at FMX 2013 in Stuttgart, which saw panels on the state of VFX, behind the scenes of Cloud Atlas, Life of Pi, The Blue Umbrella and Epic and ILM’s use of V-Ray.

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RC special – what’s in Jason Wingrove’s Epic kit?

April 18, 2013

After several emails and comments in fxphd’s forums, we offer this update of the typical state of the art gear in an independent Epic film package. We asked the RC’s Jason’s Wingrove to open his camera bags and show us his typical kit.

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OpenEXR 2.0 goes deep

April 10, 2013

Now out of public beta, an update of the open source high dynamic range file format OpenEXR to include several new features, including deep data support, has been released with version 2.0.

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NAB 2013: Blackmagic and Moore’s Law

April 9, 2013

The buzz especially in the South Hall and Central Halls of the NAB 2013 which cater to production and post-production was the power of Moore’s Law as represented by a tiny ‘point and film’ camera that perhaps was the biggest news.

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Broadcast and ident design highlights

April 7, 2013

Here’s a couple of broadcast design and idents projects that have caught our eye recently – from NASCAR to MTV and the BBC – featuring work by The Mill, Polynoid and Engine Room.

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Adobe’s new pro video tools: NAB sneak peek

April 4, 2013

Adobe has revealed its next versions of Premiere Pro, After Effects, SpeedGrade, Audition, Prelude, Media Encoder and Story.

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The Iron Man science project

April 3, 2013

Behind the scenes of an Iron Man-themed Verizon TV spot, with visual effects by The Embassy.

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fxguide’s guide to FMX 2013

April 2, 2013

The definitive guide to the effects, animation, games and transmedia presentations planned for FMX 2013 in Stuttgart, Germany from 23 to 26 April.

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The best tech demos from GDC2013

April 2, 2013

Some of the best game engine and tech demos from this year’s Game Developers Conference in San Francisco.

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