Rounding out our series we look at the two Sci-Tech Oscars awarded to ILM and their technical partners, and go backstage at the Sci-Tech Awards in LA.

Exploding heads, prosthetic legs, a lengthy brawl & skydiving – four VFX scenes from Matthew Vaughn’s rather smart Kingsman.

See VFX breakdowns from Framestore, Method Studios, MPC and Alt.vfx in recent TVCs.

How the Wachowskis employed a helicopter-mounted six RED EPIC camera array to shoot Jupiter Ascending’s dramatic Chicago chase scene.

Continuing our series we look at Universal Capture and MOVA face capture which both been award prestigious Sci-Tech awards at this years Oscars. (We also comment on the latest controversy).

We delve into Autodesk’s recent licensing announcement.

Nominated for a VES award mainly for its amazing particle animations, we look at the brilliant face work and animation in the blockbuster PS4 gaming hit: inFAMOUS: Second Son

Catch the Snickers Brady Bunch spot in the Super Bowl? Or the tortoise and hare race for Mercedes? Here’s how they were made.

Creating a desired hairstyle can often be a long, tedious, and non-intuitive process – not with Weta’s Barbershop (Sci-Tech Award winner). We explain just how clever and yet simple Barbershop is.

Behind the story-driven visual effects of Angelina Jolie’s Unbroken with vfx sup. Bill George from ILM.

New rendering software, an army tool and incredible sims – find out Weta Digital’s newest techniques that made The Battle of the Five Armies possible.

Showcasing VFX from the TV shows Constantine, Atlantis and Crossbones.

Visual effects supervisor Matt Johnson discusses Into the Woods’ effects from beanstalks, to miniature forests, giants, transforming dresses and drone shoots.

Behind the scenes with vfx breakdowns from the latest Night at the Museum film.

Breakdowns from five shots and sequences in Ridley Scott’s biblical epic Exodus: Gods and Kings.