RoboCop redux: inside the film’s biggest scenes

February 13, 2014

fxguide explores the reboot of RoboCop with befores and afters, behind the scenes clips and insight from the film’s VFX vendors.

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12th Annual VES Awards – the winners

February 12, 2014

LIVE COVERAGE: fxguide is at the VES Awards in Los Angeles tonight, and we’ll be updating this post with all the winners plus photos from the evening.

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fxinsider: bonus full-length LEGO Movie interview

February 12, 2014

In this special bonus for fxinsider members, we present a full-length interview with Animal Logic CG supervisor Aidan Sarsfield on The LEGO Movie.

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How to make a loveable ogre in 7 (easy) steps

February 12, 2014

Meet Simon the Ogre, and find out how Realise Studio used practical & digital fx to bring him to life.

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Brick-by-brick: how Animal Logic crafted The LEGO Movie

February 7, 2014

The story behind Animal Logic’s incredible realization of the brick world in The LEGO Movie.

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Behind the scenes of Weta Digital’s Smaug

February 5, 2014

Exclusive Weta Digital breakdowns of Smaug, one of the animated characters featured in this year’s Visual Effects Awards nominations. Plus see our ‘Desolation of Smaug’ eBook.

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3 of the best: the Super Bowl ads. Go on…take the red keys!

February 3, 2014

Find out about the stunning work by Digital Domain, MPC and The Mill in three big Super Bowl spots.

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Russian roulette: Jack Ryan: Shadow Recruit

February 2, 2014

Inside the invisible effects for Kenneth Branagh’s Jack Ryan: Shadow Recruit.

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Having a ball: STOPP’s World Cup Adidas spot

January 30, 2014

GoPros on Spidercams? Step-by-step on STOPP/FAMILY’s interactive 360 degree experience for the Adidas World Cup Brazuca match ball.

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3ds Max-imum impact, again: interview with Eddie Perlberg

January 29, 2014

New Autodesk 3ds Max product manager Eddie Perberg discusses the future of the software package. Plus a look at where 3ds Max is being used.

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Cinesite opens in Montréal: interview

January 28, 2014

We talk to Cinesite MD Antony Hunt about the VFX studio’s expansion to Montréal.

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VFX Oscar nominations are out

January 16, 2014

The Academy of Motion Picture Arts and Sciences has announced the five VFX Oscar nominees.

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VES Announces Nominees for 12th Annual VES Awards

January 14, 2014

The Visual Effects Society (VES) has announced the nominees for the 12th Annual VES Awards.

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Dragons, beasts and bamfing: 47 Ronin

January 13, 2014

See what’s behind the visual effects in four of the biggest sequences from Carl Rinsch’s 47 Ronin.

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Heads above: the VFX of Sleepy Hollow

January 12, 2014

See VFX breakdown clips from a recent episode of the Fox TV series Sleepy Hollow in this behind the scenes look with visual effects supe Jason Zimmerman.

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Breaking down the bake-off films

January 9, 2014

Our special bonus fxinsider look at the 10 films still in the VFX Oscar race, with breakdowns and clips.

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From effects sims to car flipping – Academy unveils Sci-Tech achievements

January 8, 2014

Sci-Tech awards include recognition of effects simulation software, VFX toolkits, color workflows, practical fx systems and more.

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BAFTA Award Nominations

January 8, 2014

The EE British Academy Film Awards nominations were announced today with five films in competition for Special Visual Effects.

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Dino-bytes: the tech of Walking With Dinosaurs

January 7, 2014

For fxinsider members, take a look at the new Walking With Dinosaurs movie and the muscle and skin tech with Animal Logic.

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Beautified reality: making Walter Mitty’s world

January 6, 2014

Behind the scenes of The Secret Life of Walter Mitty with visual effects supervisor Guillaume Rocheron.

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What’s the dish on Cinesite’s Beans?

January 5, 2014

The director and producer of Cinesite’s short ‘Beans’ talk to fxguide about making the surprise-ending film.

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Meet Smaug

December 18, 2013

How Weta Digital created the titular dragon in ‘The Hobbit: The Desolation of Smaug.’

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In the cutting room with Catching Fire editor Alan Bell

December 17, 2013

For fxguide insider members – a special christmas gift. A detailed technical look at editing two scenes of the Hunger Games: Catching Fire with Editor Alan Bell. We look in depth at the speech scene in District 11 vs an effects heavy scene such as the hologram training center scene.

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Boom times: The Wolf of Wall Street

December 17, 2013

Visual effects supervisor Rob Legato breaks down his work for Martin Scorsese’s The Wolf of Wall Street.

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The Book Thief: crafting the visual effects

December 12, 2013

Behind the scenes of RISE FX’s invisible visual effects for The Book Thief – a great loved novel – now a new feature film. Includes before and after images from the film.

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VES camera reports – one set of notes to rule them all

December 12, 2013

In a move to help actually see camera data make it to post, the VES Technology Committee has launched a new initiative and standard that is free and open to all.

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What’s new in Maxwell?

December 8, 2013

Next Limit has released Maxwell Render V3 – check out the new features of this great renderer here.

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NUKE 8 – the artists have spoken

December 5, 2013

A run-down of the newest features in The Foundry’s NUKE 8 release.

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VFX Oscar shortlist!

December 5, 2013

The list of 10 films that will go into the VFX Oscar bake-off has been announced.

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Clarisse iFX: new pricing and products

December 5, 2013

Isotropix targets Clarisse iFX to freelancers and to small studios with new low pricing options. We speak one on one with company CEO Sam Assadian.

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