Choose Post, choose effects, choose Union VFX. The effects of T2 Trainspotting.

Visual effects supervisor Chris Godfrey shares a technique on to gain the same effect as an additional four stops of depth of field without blowing the lighting budget.

We talk to VFX Supervisor Chas Jarrett and Image Engine about Logan and the complexity of digital-double techniques for stunts.

The Batman Movie with exclusive looks at the AL workflow.

Epic games and The Mill redefine Virtual Production at GDC 2017

The Weta Digital Sci-tech award winning FACETS facial performance capture system.

We explore a detailed technical look at “Creating Connection with Autonomous Facial Animation” and BabyX

We cover the digital human pipeline, including the Sci-Tech winning tools that ILM needed to develop.

We explore noise, samples, render times past and future in V-Ray with Vlado Koylazov (plus bonus EGSR preview)

A look at MPC developed complex facial and character tools to bring a monster to life for ‘A Monster Calls’

We look at some of the exceptional industry focused research being published by Disney Research Zurich.

In the run up to the Oscar Animated Feature Film nominations, we invited guest writer Leif Pedersen to deep dive into the tech of Pixar’s Finding Dory.

In the run up to the Oscar Short film nominations, we invited guest writer Leif Pedersen to deep dive into the tech of Pixar’s Piper.

Inside the Avalon for MPC’s VFX on Passengers.

An in-depth look at K-2SO with ILM’s Hal Hickel. We explore how he avoided looking like Jar Jar, how he was filmed, and how the skill of the animators made him come to life.

Rogue One we explore previz, on-set and post-viz with The Third Floor and ILM.

In our second part on facial R&D, we focus on Loom.ai which just went public with their 3D animated face from a selfie. We test drive the first version of the system.

The first in a series that looks at the latest in digital face technology. Starting with a textured 3D face from just one still.

A Fantastic Beasts and Where to Find Them deep dive, plus our WIRED exclusive on Erumpant Mating Dances.

We speak to two separate French crews exploring new and innovative macro and cloud tank photography.

Disney Research Zurich has successfully both advanced eye scanning and simplified the process for use in production.

We deep dive into a Strange VFX world with work from ILM, Method, Framestore, Lola, Luma, and more.

We look behind the magic of Adobe’s VoCo tech demo at the algorithms that powered it.

Last month we were at VR on the Lot, at Paramount studios and Facebook introduced Social VR avatars. Here is our report looking at characters in VR.

We talk to Milk in the UK about their work and the UK Episodic TV market.

LAIKA’s Moon Beast is the first puppet that was completely created using their 3D printing-based rapid prototyping technology.

Discover how ftrack adapts and is openly embracing change, including new Agile approaches that the team use daily themselves.

Autodesk has taken the wraps off of its upcoming Flame release, Flame 2017 Extension 1. We have an interview with Product Manager Will Harris and he also answers questions submitted by artists.

A look at the development process for the water effects in “Kubo and the Two Strings”, which broke new ground for the Portland-based LAIKA.

EPIC won the SIGGRAPH Best Real-Time Graphics and Interactivity award at Real-Time Live 2016 and now Ninja Theory has launched Senua Studio.