Octane X looks set to offer great Ray Tracing on the new Macs.

We talk to Pixomondo’s VFX Supervisor, Nhat Phong Tran about Westworld and Euphoria

The winning submission from Real-Time Live: Monoport

We preview this week’s webcast series with Tangent’s experience in virtualized their animation pipeline

A look at the unusual Radioactive film with Union VFX in London.

A Deep Dive with R3DS on facial topology Wrapping.

Indie Series 2: We explore Chalk Warfare 4.0

Indie Series 1: A deep dive into the Memories of Australia in UE4

Reallusion Extends the Reach of its Digital Humans with its CC3+ and SkinGen tools

Epic offer paid advanced Fellowships, we speak to someone who helped test the program.

The new Nuke Indie is released.

Pixomondo discusses complex modeling on Season 1 of Picard.

Real-time paGAN 2 on CG Agents and Avatars

A deep dive into the world of Quantum Computing and VFX of Devs.

We examine how DNEG allowed the robots ‘cognitive ability to shine through’ in Westworld.

Machine Learning De-Aging in Flame via cutting edge AI with Thiago Porto

Pinscreen: From Social Distancing to Virtual Presence with Advanced AI

Roundtable with AWS, NVIDIA, and Teradici on the details of Virtual Workstations

We speak to CoSA about Season 3 of Westworld, lockdowns and their comp pipeline

NVIDIA shows more giant leaps in Ray Tracing and Conversational AI

A first look at the incredible new UE5, the next generation of the Unreal Engine.

Faceware double down on LIVE facial solutions

Roger Guyett and Patrick Tubach discuss final Rise of Skywalker, Star Wars film now on Disney +

We deep dive with Paul Debevec on Google’s Relightables project and the newest Google Light Stage research.

Grading Digital Autochrome : Fusion in the DaVinci suite for the Digital Dogs of Togo

We talk to one company focused on a new business model for our current environment: EventCast.

Digital Domain produce a stunning digital Dr. Martin Luther King Jr.

A personal insiders look at the Maxon Red Giant Merger with CCO Stu Maschwitz.

Part 2 looking at what it takes to build an LED Virtual Stage and some of the history leading up to The Mandalorian.

ILM’s Richard Bluff outlines the lessons learned on The Mandalorian’s Virtual Production stage