We sit down with Rob Bredow the new head of ILM.

Digital Humans and Virtual Production preview at FMX.

A look at this weekend’s new Mercedes-AMG spots made with VR in three cities simultaneously.

MPC partners with SF Motors to show their new EV cars, without knowing what the final car actually looked like.

How NVIDIA is aiding Adobe’s Smart tools such as Colour match and Adobe is researching new Alpha Channel Generation tools

Chaos Group have released the new V-Ray GPU and Beta of their V-Ray for Unreal.

Day One from GDC 2018: We look at 3ds Max OSL integration

Loom.ai’s Deep Learning created avatars are coming standard on the new Samsung Galaxy.

Congrats to the teams behind this year’s Oscar Winners, (Plus we have behind the scenes pics and video)

Epic has posted a detailed 47 page white paper on the breakout Fortnite trailer

Congrats to the teams on Blade Runner 2049 for the win at the BAFTAs.

Behind the MPC Award winning Samsung ‘Ostrich’

The full set of brilliant VES award winners.

Dreamworks’ Premo at the Sci-Tech Oscars

One more TVC we loved in the Super Bowl by MPC and Legacy FX: Evelyn.

Who will have the best Super Bowl spot to air in 2018?

Holostream offers real-time 3D over a normal network.

The nominations for the Craft Oscars are out. Congrats to all the teams.

The marvelous retro Black Mirror: USS Callister at Framestore.

The VES Awards recognizes and honors the most outstanding visual effects work of the year and honors the artists who created them.

The nominations for the EE British Academy Film Awards in VFX have been announced.

This year’s Sci-Tech Winners.

Eight VFX talk about their work on the independent film I,Tonya.

Three time Oscar Winning Executive VFX Supervisor Jim Rygiel talks about joining FuseFX.

Exclusive look at the VFX in the Greatest Showman, with Director Michael Gracey.

The Ten films in the Bake off for this year’s VFX Oscar

VFX Supervisor Lesley Robson-Foster uses an URSA Mini Pro to help turn back time for the new Amazon streaming series 

Weta’s Vfx Sup. Anders Langlands discusses body and facial performance capture used to in War for the Planet of the Apes.

Watch the Game of Thrones Season 7 dragon breakdown reel from Image Engine VFX.

A look at SPI’s environment tool Sprout.