15 selected as semifinalists for VFX Oscar
The Academy of Motion Picture Arts and Sciences today announced that 15 films have been selected as semifinalists for Achievement in Visual Effects for the 83rd Academy Awards®. In early January, the members of the Academy’s Visual Effects Branch Executive Committee, who selected the semifinalists, will narrow the list to seven. Those seven will go […]
Read the Article
Mirada – Purveyors of Handmade Storytelling
After a string of bad industry news it is great to be able to bring news of a new venture. Mirada is a new production studio that will develop and produce television programming, video games, commercials and films. Designed for storytellers, the studio is a collaboration between director Guillermo del Toro, Motion Theory principals Mathew […]
Read the Article
RV now integrates with Nuke
Tweak Software announces today that their image sequence viewer product RV is now integrated seamlessly within Nuke. This integration makes the player much more integrated to Nuke than just a flipbook, RV communicates with Nuke over a live connection. To be clear RV is still a separate product, requiring purchase from Tweak Software, there is […]
Read the Article
Airgrade from Pixel Farm
Ok we would not normally post about a free ap in the itunes Ap store, but this one is just so much fun and indicative of how in the last few years we have moved from multi-million dollar grading suites to free iphone aps. Our friends at Pixel Farm have posted Airgrade. Now unlike most […]
Read the Article
Harry Potter and the Deathly Hallows
Several visual effects shops contributed to Harry Potter and the Deathly Hallows: Part 1 under overall vfx supe Tim Burke. In this article we continue our coverage of the film by focussing on the signature shots by MPC and Cinesite and the work of Double Negative, Framestore, Rising Sun Pictures and Baseblack.
Read the Article
Assimilate (Scratch): What’s the story?
On twitter this week we posted that Assimilate had settled with Autodesk over the long running law suit. We also heard that Lucas Wilson – for many the public face of Assimilate – had moved on to 3alitydigital. Luckily, we also discovered that an old friend of fxguide – Steve Bannerman had left GenArts to […]
Read the Article
Spiderman 4 starts shooting Epic Stereo
RED announced today that Spider-Man 4, to be directed by Marc Webb, will be shot in Stereo on the EPIC, with filming beginning today. EPIC is RED’s successor to the 4K RED ONE. It offers 60% more resolution by relying on a 5K sensor and can shoot at frame rates up to 120 fps. A […]
Read the Article
Black Swan takes wings
For Black Swan, director Darren Aronofsky turned to Look Effects to help bring his dark New York ballerina story to life. Look’s visual effects supervisor Dan Schrecker oversaw 220 shots for the film, from full CG swan wings to prosthetic augmentation, face replacements and other enhancements.
Read the Article
IBEW, IATSE activity roundup
There has been a lot of activity lately in the effort to organize visual effects. IATSE is holding small meetings around Los Angeles on a regular basis with different groups of artists to present their case why artists should want to be represented by them. IBEW has scheduled another public meeting in Culver City for […]
Read the Article
The Foundry’s STORM Beta + Future Plans
The Foundry released their first public beta of STORM earlier this week and the initial feedback from the community has been positive. In the first 24 hours it was available, over 2000 users registered the software…that’s actual registrations, not downloads. The software will be free for use until the 1st of March, at which point […]
Read the Article
Red Centre Epic-M and Arri RAW +Codex
This week Jason and Mike discuss the situation with the Epic-M and the recent fxphd Arri -Alexa stereo shoot shooting Arri-RAW to the Codex digital recorder. (Director was Richard Gibson (Luscious International) – in conjunction with the Aust. VES and ACS ) Visit the red centre page for direct downloads and RSS feed links. To […]
Read the Article
Harry Potter 7 Dobby and Kreacher Animation podcast
In this episode we speak to Framestores’ vfx supervisor Christian Manz about the amazing character animation of Dobby and Kreacher in the new Harry Potter and the Deathly Hallows Part 1. Framestore did an outstanding job with the character animation of these characters in HP7 and did it entirely as keyframe animation. Watch out for […]
Read the Article
Avatar/Weta Interview: The extra bits…
James Cameron’s Avatar is now available as an Extended Collector’s Edition DVD and Blu-ray release. We take a look at the Blu-ray featurettes and talk to Weta Digital visual effects supervisor Wayne Stables, who was responsible for the incredible Tree of Souls sequence in the film.
Read the Article
fxpodcast Krakatoa’s Chris Bond
This week on the fxpodcast we speak to Chris Bond of Thinkbox software about their production proven volumetric particle rendering, manipulation and management software. Krakatoa has been used on umpteen feature films and commercials. It provides a great pipeline for acquiring, caching, transforming, modifying, deforming, culling, shading and rendering vast quantities of particles at unprecedented […]
Read the Article
Kevin Pike Elected to Emmy’s SVE Governor
fxguide congratulates Kevin Pike on being elected as the new Special Visual Effects Governor for the Academy of Television Arts & Sciences. Special Effects Supervisor, Kevin Pike, an industry professional for over 36 years, started his career on “JAWS,” in 1974. For AMPAS, he serves as a member of the Visual Effects Branch Executive Committee […]
Read the Article
F3 vs 5D MkII
As part of our Red Centre Podcast coverage we want to share this clip with you that compares the Canon 5D Mk II and the new Sony F3. In this test, both cameras were attached to the same tripod locked together – and then panned over the same technical background. The results show the F3 […]
Read the Article
Deluxe buys Ascent Media
After the markets had closed on the eve of the USA Thanksgiving weekend, the LA Times reports that “Deluxe Entertainment Services Group said Wednesday it has reached an agreement to acquire the bulk of Ascent Media Group, the Santa Monica-based postproduction company, for $68 million” We understand that the purchase price has been allocated as […]
Read the Article
DirecTV Cyborg Fight Club
In ‘Ice Cream’, a DirecTV spot directed by Rupert Sanders, two battling cyborgs literally crash and burn through several rooms of an apartment as the owner manages to pause their actions. We talk to MPC in Los Angeles about their visual effects work for the commercial, with some great before and after clips.
Read the Article
Mari Launch Event in LA
The Foundry will be having a Mari launch event in Los Angeles on December 1. Presenters include Brandon Fayette & Jake Raymor from Bad Robot Production, Scott Metzger from Method Studios, and Brad deCaussin from Digital Domain. Click through for more details, including a registration link.
Read the Article
Framestore: Deathly Hallows Animation
The crucial origin of the ‘Deathly Hallows’ is told inside the latest Harry Potter film via a three minute animated sequence directed by Ben Hibon and created by Framestore. In it, we learn of the story of the Three Brothers and their encounter with Death. Sequence supervisor Dale Newton tells us how it came together.
Watch for more HP7 stories, podcasts and interviews coming up here at fxguide. UPDATED
Red Centre: F3 on location
In this week’s fxguide Red Centre podcast we examine the new Sony F3 camera. Jason Wingrove shot with one of only three F3 cameras in the world this week, testing this new Super35 Sensor Sony camera that will be released in Feb 2011. In the Red Room, Maarten Treurniet of Marvin goes head to head […]
Read the Article
State Film Subsidies report
Yesterday the Center on Budget and Policy Priorities released a study examining film and TV tax subsidies in the US. Titled “State Film Subsidies: Not Much Bang For Too Many Bucks” the report is very critical of subsides concluding “State film subsidies are a wasteful, ineffective, and unfair instrument of economic development.” In an LA […]
Read the Article
Asylum Visual Effects closing
After 11 years it appears that Asylum Visual Effects in Santa Monica is closing. Nathan McGuinness built a shop that had a strong reputation providing high end visual effects for films like Master & Commander, Sorcerer’s Apprentice, Curious Case of Benjamin Button and Terminator Salvation (IMDB) as well as commercials like the recently released Call […]
Read the Article
Stargate Studios: Walking (the) Dead
Stargate Studios is handling the visual effects for The Walking Dead, AMC’s new TV series based on Robert Kirkman’s zombie apocalypse comic and directed by Frank Darabont. We take a look at some of Stargate’s zombie enhancement and virtual set work for the pilot episode.
Read the Article
RenderMan drops in price
Pixar announced today that it is dramatically lowering the cost of RenderMan. As the most highly regarded feature film renderer, – this is significant news. It will allow more independent owner/animators to use RenderMan on smaller projects and its volume pricing reductions reflect the massive growth in render farms. Fxguide spoke to the RenderMan team about the new pricing.
Read the Article
fxguidetv: MPC Nuke Breakdown Syfy
We have looked at Nuke in a feature film environment here at fxguidetv, so we have shifted gears and look at Nuke in a Promo environment. This week we speak to MPC’s Nuke artist Alex Harding, who takes us through a breakdown of one of the promo films for the the US cable network Syfy, […]
Read the Article
New fxpodcast: Skyline on RedMX
This week Skyline opened in the USA. The film looks like a Hollywood Blockbuster but cost only $10million. While it opened modestly – it still grossed $4.7M on Friday alone. Whatever you think of the film – the significance of this should not be overlooked. This is a VFX house not waiting for the next […]
Read the Article
AnimfxNZ Avatar
Weta Digital recently gave an incredible full day ‘Making of Avatar presentation on James Cameron’s film as part of this year’s AnimfxNZ conference in Wellington. Here is a rundown of some of the major points brought up by Weta supes and artists from the day. Weta’s accomplishments The Making of Avatar‚ was actually one of […]
Read the Article
IATSE Formally Announces Visual Effects organizing Drive
For over a year IATSE has been working with members of the Visual Effects community to establish an organizing campaign for artists. To that end they are formally and publicly announcing that effort. In addition they have hired Jim Goodman as a full time representative whose sole responsibility will be to organize VFX artists into […]
Read the Article
V-Ray 2.0 for 3ds Max open for Beta
Chaos Group has announced that the the new V-Ray 2.0 for 3ds Max is now entering its final BETA stage. V-Ray 2.0 combines the power of the V-Ray rendering engine with the flexibility and speed of the interactive rendering system – V-Ray RT, now running on GPUs. V-Ray 2.0 for 3ds Max BETA program is […]
Read the Article