Lola VFX discuss their facial work behind the character of Vision in Marvel’s Avengers: Age of Ultron.

This week we talk to Mike Woods, founder of Framestore’s Digital Department and their dedicated VR Studio.

Mike Seymour talks to Chappie visual effects supervisor Chris Harvey, discussing the work by Image Engine and Weta Workshop for the new Neill Blomkamp film.

We talk to long-time Cinefex publisher Don Shay, who has announced he has retired from the renowned VFX industry magazine.

We speak to Agent Carter visual effects supervisor Sheena Duggal about realizing the Marvel show’s VFX.

Interstellar visual effects supervisor Paul Franklin discusses the science, technology and art behind the incredible Christopher Nolan film.

This week we talk to Chaos Group’s Christopher Nichols about the creation of a Digital Human League with key VFX industry members aimed at further research and discussion into synthetic human faces.

We talk to director (and fxphd Prof) Wes Ball, about the creation of his hit film The Maze Runner. As you will hear Wes is just days away from filming the sequel.

We talk to Scott Ross who will be a keynote speaker at SIGGRAPH Asia 2014, discussing ‘Can Asia become Hollywood?’.

We catch up with Philippe Soeiro, lead product designer of Flame, about the next version that will be released this fall. It includes new Shotgun support with python hooks as well as various workflow improvements.

In this week’s fxpodcast we speak to Milk VFX about the effects work in the new series of Doctor Who.

We talk to DD’s Doug Roble, MPC’s Rob Pieké & Side Effects’ Mark Elendt on what they’re looking forward to at SIGGRAPH 2014.

We preview the Real-Time Live! sessions at SIGGRAPH 2014 in Vancouver, talking to Real-Time Live! Chair Nico Gonzalez and jury member Ari Shapiro from USC ICT.

This week, fxguide’s Mike Seymour talks to ILM vfx supe Scott Farrar and ILM associate vfx supe Pat Tubach about the making of Transformers: Age of Extinction.

Key Shotgun users – Ben Grossmann, Zoic’s Mike Romey and DreamWorks Animation’s Lincoln Wallen – discuss their reactions to the Autodesk acquisition.

This week we speak to Robh Ruppel, an art director at Naughty Dog, about the role of art direction and production design in computer games.

Our detailed interview with SPI VFX supervisor Jerome Chen about facial performance, set re-creation and lighting in The Amazing Spider-Man 2.

ILM VFX supe Ben Snow discusses the water sims, creature, digital foliage and timelapse work for Darren Aronofsky’s Noah.

This week we talk to Framestore CFX lead Juan-Luis Sanchez about digital costume design, including the incredible work he contributed to Gravity.

In this special fxpodcast, we report directly from the VFX Oscars March which took place today in Hollywood.

This week we talk to Marcos Fajardo, the founder of Solid Angle which makes the renderer Arnold.

This week we talk to SciTech winner Jeremy Selan, developer of the OpenColorIO color management framework.

Key members of Weta Digital’s visual effects team discuss the creation of Smaug, spiders, the barrel sequence and environments in The Hobbit: The Desolation of Smaug.

An exclusive, in-depth interview with Daniel Lay, the formerly anonymous blogger known as VFX Soldier. What motivated him to come forward now? You may have a perception of Soldier now, we’re willing to bet you will have a different one by the end of the interview.

In our latest fxpodcast, Mike Seymour talks to renowned visual effects supervisor Janek Sirrs about crafting the effects in The Hunger Games: Catching Fire. Warning: plot spoilers.

This week we talk to software developer Paul Miller who has contributed to VFX packages such as Elastic Reality, Toxik, Tiffen Dfx and Silhouette.

We talk to Pixar’s TD Paul Kanyuk. Paul will be giving a course on ‘Physically Plausible Shading and Lighting on Monster’s University and Beyond’ at SIGGRAPH Asia in Hong Kong.

This week we talk to Framestore’s Tim Webber, who was the visual effects supervisor on Alfonso Cuarón’s Gravity.